A group exhibition at MAK
“I GOT UP” the Japanese artist On Kawara stamped along with the respective time of day on a series of postcards that he sent to friends and artist colleagues every day between 1968 and 1979. His days began with this apparently natural, insignificant act, which characterizes the “conditio humana” of a person’s life both intimately and politically: 24 hours a day, seven times a week.
In her magnum opus, The Human Condition (1958, published in German as Vita activa oder Vom tätigen Leben in 1960), the philosopher Hannah Arendt describes the basic conditions of human life with three terms that can be used to describe the individual’s autonomous, active participation in society: “labor, work, and action.” While Arendt’s understanding of labor and work subsumes those (individual) activities that are directly necessary for the production of (material) goods, she describes (interactive) action—language and communication—as human beings’ greatest asset.
Today the human condition is marked by turmoil and restlessness. In the increasingly fast rhythm of our “non-stop society,” time is the determining factor, and time is money. The performance-driven society of the 21st century has long transcended the boundary between labor and leisure, the private and the public, and is still attempting to counteract its exhaustion by means of self-optimization. Disregarding the measures of chronobiology and the “inner clock” of human beings and nature, all activities are synchronized through the simultaneity of analog and digital experience.
Humans are engaged in a constant creative exchange with their environment and by absorbing and reorganizing images and information around the clock are part of the “social factory” in which private and public performance have inextricably merged. Life and work bring the same symptoms to light: overload, lack of sleep, the pressure of responsibility, and the loss of autonomy and freedom. Between longing and the pressure to perform, identification and opposition, recognition and exhaustion, the helplessness of the working subject is becoming apparent: precariousness and the stigma of not being able to adequately ensure our own existence are a constant threat because they are marked by the struggle to maintain the balance of body and mind as well as dreams and goals. The value and assessment of (invisible) human work are at the center of mechanisms of social evaluation; our activities are measured by their speed, accuracy, and efficiency—in short, people are measured against machines. But the complex processes that constitute human decisions and thus our ability to act cannot be taken over by artificial intelligence. Our true desire is self-determination, to actively and individually shape our own life, our environment, and society. Action (political and artistic)—informed by the immateriality of communication and empathy—cannot be definitively evaluated in terms of performance and therefore attain the status of permanence. It is with this status of permanence that human beings are inscribing themselves 24/7 into the cultural narrative of the Anthropocene, the age of human activity.
The group exhibition 24/7: the human condition includes existing works and newly produced works by artists of a younger generation in the context of the art scene in Vienna and beyond and features a wide range of artistic engagement with various aspects of a cultural understanding of labor, work, and action.
Participating Artists
Ben Thorp Brown (New York)
Verena Dengler (Vienna)
Carola Dertnig (Vienna)
Harm van den Dorpel (Berlin)
Andreas Duscha (Vienna)
Andreas Fogarasi (Vienna)
Franz Graf (Vienna)
Kathi Hofer (Vienna)
Peter Jellitsch (Vienna)
Lazar Lyutakov (Vienna)
Mahony (Vienna/Berlin)
Christian Mayer (Vienna)
Ulrich Nausner (Vienna)
Danica Phelps (New York)
Lili Reynaud-Dewar (Paris/Grenoble)
Valentin Ruhry (Vienna)
Seth Weiner (Los Angeles/Vienna)
Anna Witt (Vienna)
Curator
Marlies Wirth, MAK Curator
“I GOT UP” the Japanese artist On Kawara stamped along with the respective time of day on a series of postcards that he sent to friends and artist colleagues every day between 1968 and 1979. His days began with this apparently natural, insignificant act, which characterizes the “conditio humana” of a person’s life both intimately and politically: 24 hours a day, seven times a week.
In her magnum opus, The Human Condition (1958, published in German as Vita activa oder Vom tätigen Leben in 1960), the philosopher Hannah Arendt describes the basic conditions of human life with three terms that can be used to describe the individual’s autonomous, active participation in society: “labor, work, and action.” While Arendt’s understanding of labor and work subsumes those (individual) activities that are directly necessary for the production of (material) goods, she describes (interactive) action—language and communication—as human beings’ greatest asset.
Today the human condition is marked by turmoil and restlessness. In the increasingly fast rhythm of our “non-stop society,” time is the determining factor, and time is money. The performance-driven society of the 21st century has long transcended the boundary between labor and leisure, the private and the public, and is still attempting to counteract its exhaustion by means of self-optimization. Disregarding the measures of chronobiology and the “inner clock” of human beings and nature, all activities are synchronized through the simultaneity of analog and digital experience.
Humans are engaged in a constant creative exchange with their environment and by absorbing and reorganizing images and information around the clock are part of the “social factory” in which private and public performance have inextricably merged. Life and work bring the same symptoms to light: overload, lack of sleep, the pressure of responsibility, and the loss of autonomy and freedom. Between longing and the pressure to perform, identification and opposition, recognition and exhaustion, the helplessness of the working subject is becoming apparent: precariousness and the stigma of not being able to adequately ensure our own existence are a constant threat because they are marked by the struggle to maintain the balance of body and mind as well as dreams and goals. The value and assessment of (invisible) human work are at the center of mechanisms of social evaluation; our activities are measured by their speed, accuracy, and efficiency—in short, people are measured against machines. But the complex processes that constitute human decisions and thus our ability to act cannot be taken over by artificial intelligence. Our true desire is self-determination, to actively and individually shape our own life, our environment, and society. Action (political and artistic)—informed by the immateriality of communication and empathy—cannot be definitively evaluated in terms of performance and therefore attain the status of permanence. It is with this status of permanence that human beings are inscribing themselves 24/7 into the cultural narrative of the Anthropocene, the age of human activity.
The group exhibition 24/7: the human condition includes existing works and newly produced works by artists of a younger generation in the context of the art scene in Vienna and beyond and features a wide range of artistic engagement with various aspects of a cultural understanding of labor, work, and action.
Participating Artists
Ben Thorp Brown (New York)
Verena Dengler (Vienna)
Carola Dertnig (Vienna)
Harm van den Dorpel (Berlin)
Andreas Duscha (Vienna)
Andreas Fogarasi (Vienna)
Franz Graf (Vienna)
Kathi Hofer (Vienna)
Peter Jellitsch (Vienna)
Lazar Lyutakov (Vienna)
Mahony (Vienna/Berlin)
Christian Mayer (Vienna)
Ulrich Nausner (Vienna)
Danica Phelps (New York)
Lili Reynaud-Dewar (Paris/Grenoble)
Valentin Ruhry (Vienna)
Seth Weiner (Los Angeles/Vienna)
Anna Witt (Vienna)
Curator
Marlies Wirth, MAK Curator
VIENNA BIENNALE Pass
12.6.–24.8.2015MAK, Kunsthalle Wien, Az W
€ 22 / € 16,50 reduced (for students under 27)
25.8.–4.10.2015
MAK, Kunsthalle Wien
€ 16 / € 12 reduced (for students under 27)
ÖBB Rail Tours
Combined Ticket
T-Mobile offer
For all T-Mobile customers:
Discounted VIENNA BIENNALE Pass
(€ 12)
From 14 Sep: Discounted admission to the MAK (€ 7.50)
Ideas for Change app:
2 VIENNA BIENNALE tickets for the price of 1 (€ 16)
From 14 Sep: 2 MAK tickets for the price of 1 (€ 9.90)
Opening Hours
Tue 10 a.m.–10 p.m.Wed–Sun 10 a.m.–6 p.m.
Mon closed
Free Admission on
Tuesdays 6–10 p.m.
Admission
€ 9,90 / reduced € 7,50Free admission for children and teens up to 19
Free Admission on
Tuesdays 6–10 p.m.
Family ticket € 13
(two adults and at least one minor child)
Vienna 1900-Combined Ticket
€ 17,90 / reduced € 14,50
valid for MAK and Leopold Museum
Guided Tours
MAK TOURS – every Saturday at 11 a.m. a tour through the MAK in German; every Sunday at noon in English.Attendance fee € 2 per person, except children under 6
Special and Group Tours
by advance bookingGabriele Fabiankowitsch, Head of Educational Program and Guided Tours
T +43 1 711 36-298
(Mon–Fri 10 a.m.–4 p.m.),
Multimedia Guide
for Vienna 1900: € 2Or download the app for free to your own tablet (iOS and Android)!
Barrier Free Access
Lift at the entrance at Weiskirchnerstraße 3, accessible toilets for disabled visitors.
