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The MAK Permanent Collection

The MAK’s renovation in 1986 went hand in hand with the development of new strategies for presenting the museum’s extensive collection. The project of redoing the permanent collection made it possible to present preservation-worthy items in an incomparable and exemplary interplay between artistic heritage and contemporary interventions by artists including Barbara Bloom, eichinger oder knechtl, Günther Förg, Gangart, Franz Graf, Jenny Holzer, Donald Judd, Peter Noever, Manfred Wakolbinger, and Heimo Zobernig.


The various spaces of the Permanent Collection were organized in a chronological fashion, with the individual collection items arranged to produce congenial ensembles of outstanding works rather than a dense, serial presentation. The participating artists, whose interventions were developed via a process of intense collaboration with the MAK’s respective collection heads, arrived at highly diverse approaches and solutions.

With the directorship of Christoph Thun-Hohenstein, the Permanent Collection is to embark on a process of continual change, building on the established concept of contemporary transformation by artists working in the present. As a first step, the Wiener Werkstätte, Art Nouveau Art Deco and 20th/21st Century Architecture sections were closed in mid-July 2012; these reopened on 18 September 2013 as a permanent presentation of VIENNA 1900. Design / Arts and Crafts 1890–1938. After the reinstallation the Permanent Collection ASIA. China - Japan - Korea opened on 19 February 2014 and the Permanent Collection Carpets on 9 April 2014.

In contrast to the previous approach, these spaces will be reconceived as a dynamic display collection in which each periodic re-design of individual areas is to be accompanied by rotation of the objects on exhibit.

Related

Publications

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Publication

MAK/Guide CARPETS

MAK/Guide CARPETS published on the occasion of the reinstallation of the MAK Permanent Collection Carpets. German/English, 192 pages, appr. 100 color illustrations, 24 x 12,5 cm, paperback, Vienna / Munich–London–New York: MAK / Prestel Verlag, 2014
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Publications

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Publication

20/21

MAK Collection of Contemporary Art
MAK Studies 15
German/English
244 Pages, numerous colored illustrations
20 x 32 cm
2008 MAK Vienna / Verlag für Moderne Kunst, Nürnberg
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Publications

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Publication

GOTTFRIED SEMPER. The Ideal Museum

Practical Art in Metals and Hard Materials
MAK Studies 8
English
288 pages, 50 illustrations, 18 full colored illustrations
34,5 x 21,5 cm, hardbound
MAK, Vienna / Schlebrügge.Editor Vienna 2007
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Publications

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Publication

MAK/Guide VIENNA 1900

Design/Arts and Crafts 1890–1938
MAK / Guide published on the occasion of the reinstallation of the MAK Permanent Collection VIENNA 1900. Design / Arts and Crafts 1890-1938 (18.9.2013). German/English, 224 pages, 100 color illustrations, 24 x 12,5 cm, paperback, MAK Vienna / Prestel Verlag, 2013
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MAK Center for Art and Architecture, Los Angeles

The MAK Center for Art and Architecture, Los Angeles, founded in 1994, is a contemporary, experimental, multi-disciplinary center for art and architecture and is based today in three of the most important houses by the Austrian-American architect Rudolph M. Schindler. The core of the programming includes the internationally sought-after MAK Artists and Architects-in-Residence Program, an annual residency program for emerging international artists and architects.
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Franz von Zülow

Paper
Published for the exhibition of the same title (27.11.2013-11.5.2014)
MAK Studies 22
German/English
144 pages, numerous illustrations
26 x 21,2 cm, paperback
Verlag für moderne Kunst Nürnberg, 2013
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MAK/Guide VIENNA 1900

Design/Arts and Crafts 1890–1938
MAK / Guide published on the occasion of the reinstallation of the MAK Permanent Collection VIENNA 1900. Design / Arts and Crafts 1890-1938 (18.9.2013). German/English, 224 pages, 100 color illustrations, 24 x 12,5 cm, paperback, MAK Vienna / Prestel Verlag, 2013
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Metal Study Collection

Curator: Elisabeth Schmuttermeier
Visitors can realise just how diverse the Metal Collection is by viewing the presentation of the objects in the Study Collection Metal, which is arranged according to types. Candleholders, beakers, pots and jugs, bowls and dishes illustrate their stages of stylistic and functional development. Moreover, since 1993 the great variety of the metal collection has been presented in the form of alternating, temporary exhibitions, which also frequently include contemporary jewellery design.
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