Ceramics Collection

Curator: Rainald Franz
With representative holdings of ceramics from Austrian production from the sixteenth century until today, unique groups of objects such as the legacy of the Wiener Porzellanmanufactur (Vienna Porcelain Manufactory) and the extensive collection of tiled stoves, hafner ware, and majolica of the sixteenth to the nineteenth centuries. The MAK’s Ceramics Collection is one of the foremost collections of its type in the world.
The core of the Ceramics Collection’s 17,200 objects are those from the Wiener Porzellanmanufaktur (Vienna Porcelain Manufactory), which was founded in 1718 as Europe’s second porcelain-making operation, as well as products made by all of the other important European porcelain producers including Europe’s oldest, the one in Meissen (founded in 1710).

Shortly after it closed, the Vienna Porcelain Manufactory’s artistic legacy passed into the holdings of the Museum of Art and Industry, and this material is viewed both domestically and internationally as the definitive collection of works from this producer. With examples from every period, this legacy collection provides an overview of nearly 150 years of Viennese porcelain production.

Over various periods, its cumulative output came to cover the entire spectrum of ceramic products, including table services, vases, clocks, high-quality porcelain sculptures, scenic and floral miniatures, porcelain paintings with gold relief décor and cobalt blue, biscuit porcelain (unglazed white containers or figures), figural and historical paintings, Viennese vedute and floral paintings, and large-format porcelain paintings with floral still lifes.

With the porcelain chamber originally set up at Palais Dubsky in Brno (ca. 1740), the MAK is home to one of the most aesthetically pleasing documents of Vienna’s early porcelain output. The “Dubsky Room,” on exhibit in the hall of the Baroque-Rococo-Classicism section of the MAK Permanent Collection which was designed by Donald Judd, is one of the earliest room-decorating schemes to employ European porcelain.

Austrian ceramics of the 20th century, including a widely recognized Art Nouveau collection with numerous Wiener Werkstätte objects, examples from Wiener Porzellanmanufaktur Augarten (Viennese Porcelain Manufactory Augarten, founded in 1923 and still in existence today), ceramics from Wiener Keramik (founded in 1905 by Michael Powolny) and its successor Vereinigte Wiener und Gmundner Keramik, as well as designs from the workshops of Hugo F. Kirsch and Eduard Klablena, constitute a further central focus of the collection.

An impressive collection of Austrian post-war ceramics produced up to and including the 1980s rounds out the overall collection, along with a comprehensive and important group of Italian majolica objects from the 16th and 17th centuries.

An excellent overview of the collection is offered by the permanent exhibit of the Study Collection. The ceramics section of the Study Collection, which was redone during the 2006/2007 season, has 1,000 items on display including the most valuable examples of Viennese porcelain manufacturing and selected objects from the manufactory in Meissen, as well as ceramics produced during the late 19th and early 20th centuries in Vienna, Bohemia and Moravia.


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MAK Collection Online

The MAK¹s comprehensive holdings of applied and contemporary art
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Permanent Collection


Permanent Collection Baroque Rococo Classicism

Artistic intervention: Donald Judd
With a unique artistic intervention Donald Judd managed to blend the different stylistic worlds of the Baroque, Rococo, Classicism and Minimalism. Taking on a central position here is the Porcelain Chamber from the Palais Dubsky in Brno, one of the first rooms ever designed in European porcelain.
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MAK Collection


Glass Collection

Curator: Rainald Franz
With unique holdings from between the Middle Ages and the present, the MAK’s Glass Collection is among the world’s most important collections of its kind. The optically and technically impressive products made from fragile materials bring to life the hand of the artist and the zeitgeist of the epoch.
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MAK Study Collection 1993-2013


Glass Study Collection

Curator: Rainald Franz, curator, Glass and Ceramics Collection
The Glass Study Collection shows the multiplicity of forms and diversity of colors to be found in glass objects. Changing exhibitions offer an overview of significant phases of the history of European glass production.
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Textiles and Carpets Collection

Curator: Barbara Karl
The holdings of the MAK’s collection of textiles, which is one of the foremost textile collections in the world, cover the time from Late Antiquity until today; they encompass the globe with works from nearly all parts of Asia and Europe, and even South America. The collection is a comprehensive material archive reflecting the artistic, technical, and economic developments of this special field throughout the last 1,500 years. This richness of the material archive gives it a unique capability of illustrating the multifaceted, international cultural interconnections that have developed over the centuries.
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A System of Moments
Published for the exhibition of the same title (30.5.–7.10.2001)
320 pages, approx. 250 illustrations
22 x 30 cm, paperback
MAK, Vienna / Hatje Cantz Verlag Publishers, Ostfildern-Ruit,-Ruit 2001

EOOS. The Cooked Kitchen

A Poetical Analysis
168 Pages, 44 Abbildungen
SpringerViennaNewYork 2008

MAK Center for Art and Architecture, Los Angeles

The MAK Center for Art and Architecture, Los Angeles, founded in 1994, is a contemporary, experimental, multi-disciplinary center for art and architecture and is based today in three of the most important houses by the Austrian-American architect Rudolph M. Schindler. The core of the programming includes the internationally sought-after MAK Artists and Architects-in-Residence Program, an annual residency program for emerging international artists and architects.
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