Permanent Collection space 19932012Space for ArchitectureThe glass wall promises a view - of the city and of utopias.Spread out in the room - spaces.On the small desks rest ideas, imagined and built.A new world opens up through every glass cover on every table.One can discern the manifested object in the images on the wall.Lebbeus Woods manifesto written on the wall links everything together. / Manfred WakolbingerThe architecture area includes models and drawings by Raimund Abraham, Günther Domenig, Driendl*Steixner, Frank O. Gehry,
Zaha Hadid, John Hejduk, Coop Himmelb(l)au, Frederick J. Kiesler, Daniel Libeskind, Thom Mayne -Morphosis Architects, Eric
Owen Moss, Carl Pruscha, Helmut Richter, Rudolph M.Schindler, and Lebbeus Woods.(Applied) art must also mean questioning the relationship between art and function, between art and everyday life.The works of the architects shown in this room demonstrate and document a point of view in which the yardstick for architecture
is its universal character.No matter how varied individual positions may be, all the architects represented in the collection have one characteristic
in common: they are concerned with a new type of architectural thinking. All of them tell us that there is no longer any prescribed
path laid out for contemporary architecture. Utopian architectural visions, ideal proposals, projections of a bridge between
rationality and manifestation stand alongside pro-jects that test architecture in terms of its social usefulness. / Peter
Noever (curator of the MAK Contemporary Art Collection during the phase of the reinstallation of the MAK Permanent Collection
in the early 1990s)
Permanent Collection 20th/21st Century Architecture
Designing artist: Manfred Wakolbinger
Born 1952. Sculptor. Lives and works in Vienna.
Manfred Wakolbinger is concerned with questions related to the three-dimensional realm. In his work Wakolbinger investigates
his personal relationship with the physical world in an attempt to develop a sculptural vocabulary for communicating with
it. A continual confrontation and reflection about the representational possibilities inherent to sculpture and the energy
of elementary forms have inspired every stage of his work.