:
150 Years of the MAK

HOLLEIN

Wed, 25.06.2014–Sun, 05.10.2014

MAK Exhibition Hall

International star architect, sole Austrian winner of the Pritzker Architecture Prize, designer, artist, curator, exhibition organizer, theorist, educator, city planner, media visionary, cultural anthropologist: As a designer in the most comprehensive sense, Hans Hollein has given the term “architecture” a new dimension, while with his still relevant analysis of “the man made space”, turning a fundamental question into a visionary statement: “What is design?”.

The MAK exhibition HOLLEIN delves into his rich universe and undertakes a sweeping new contemplation of his entire body of work based to a large extent on materials from Hans Hollein’s archives that have never been shown in public, including working models, original drawings, objects, and items left over from exhibitions, sketches, notes, scratch paper, photographs, films, and much more. This solo exhibition conceived of by guest curator Wilfried Kuehn and MAK curator Marlies Wirth approaches Hollein’s work by thematic priorities rather than retrospectively or chronologically. In harmony with Hollein’s way of thinking, the exhibition does not separate architecture, design, and art, but contextualizes his complex oeuvre by providing analogies of sense and form along a “parcours” through the exhibition.

New photographs created especially for the MAK exhibition by contemporary artists Aglaia Konrad and Armin Linke open unfamiliar perspectives into Hollein’s architectural works. The MAK invited these two artists to photograph anew his innovative buildings from the last five decades. Prime examples of Hollein’s museums, such as the Museum Abteiberg in Mönchengladbach (1982), the Museum of Modern Art (MMK) in Frankfurt/Main (1991), the Tehran Museum of Glass and Ceramics (Iran, 1978), or Vulcania, a vulcanology museum in Saint Ours-les-Roches (France, 2002), are on display, as are Media Lines, the orientation and communications system he designed for the Olympic Games in Munich (1972), and also wellknown Hollein projects in Vienna’s inner city, among them the former candle shop Retti (today the site of the jeweler Y. Gadner) (1965), the boutique CM (1967), and the former jewelry store Schullin am Graben (1974). Displayed in various formats and sequences, the photographs of the two artists are complementary, and together, create a conceptual spatial collage.

Hollein’s visionary architectonic concept of the “Kleeblattprinzip [Clover Leaf Principle],” which he developed for his first museum project, the Museum Abteiberg Mönchengladbach, has been implemented as the model for the architecture of the Hollein exhibition. The succession of rooms proceeds on the diagonal, whereby this diagonal arrangement of square rooms opens up completely new sightlines and cross-connections between the individual rooms and the works displayed therein. The typical symmetry of the MAK exhibit space is foregone in favor of conveying an exhibition experience that makes Hollein’s design principles palpable.

The MAK exhibition HOLLEIN (25 June to 5 October 2014) was prepared in collaboration with the Museum Abteiberg, Mönchengladbach, where the exhibition HANS HOLLEIN: Everything is Architecture [Hans Hollein: Everything is Architecture] (13 April to 28 September 2014) is being mounted to offer another new view into Hollein’s body of work. The exhibition at the MAK will be accompanied by a publication, produced in cooperation with the Museum Abteiberg, focusing on the new photographic works by Aglaia Konrad and Armin Linke, which enable a new visual contemplation of Hollein’s architecture.

Guest Curator: Wilfried Kuehn, Kuehn Malvezzi Architects, Berlin
Curator: Marlies Wirth, MAK
Project manager, Archive Hans Hollein: Erich Pedevilla
Exhibition design: Wilfried Kuehn (Kuehn Malvezzi Architects, Berlin, with Samuel Korn) and Michael Wallraff (Michael Wallraff ZT GmbH, Wien, with Rita Pirpamer and Klaus Stattmann)

Topic Areas
The object as medium, exhibitions, archive, photography Aglaia Konrad/Armin Linke, display-architecture, city models, work and behavior - life and death - everday situations, art worlds, constructed landscapes

Publication
HANS HOLLEIN, photographed by Aglaia Konrad and Armin Linke, Ed. Wilfried Kuehn, Christoph Thun-Hohenstein, Susanne Titz, Marlies Wirth, German/English, ca. 120 pages; MAK – Austrian Museum of Applied Arts/Contemporary Art, Vienna; Museum Abteiberg, Mönchengladbach; Mousse Publishing, Milan, 2014. Available at the MAK Design Shop probably in September.

 

Curator Guided Tours

Thu, 18.9.2014, 5 p.m.
with Wilfried Kuehn, Guest Curator, and Marlies Wirth, MAK Curator
 

Guided Tours

June, July, August: each Saturday, 3 p.m.
 

Exhibition Talk

in the context of VIENNA DESIGN WEEK
Sat, 4.10.2014, 11 a.m.
Curators Marlies Wirth and Wilfried Kuehn in dialog with Lilli Hollein, Director, VIENNA DESIGN WEEK

“Form does not follow function. Form does not just occur. It is a key decision made by mankind.”
Hans Hollein, Architektur, 1963
 


A cooperation of the University of Applied Arts Vienna and the MAK

Key sponsors:
     
Sponsorship:
     

 

Opening Hours

Tue 10 a.m.–10 p.m.
Wed–Sun 10 a.m.–6 p.m.
Mon closed
Free Admission on
Tuesdays 6–10 p.m.
 

Admission

€ 7,90 / reduced € 5,50
Free admission for children and teens up to 19

Free Admission on
Tuesdays 6–10 p.m.
 
Family ticket € 11 (2 adults and at least one child under 14)
 

Guided Tours

MAK TOURS – every Saturday at 11 a.m. a tour through the MAK in German; every Sunday at noon in English.
Attendance fee € 2 per person, except children under 6
 

Special and Group Tours

by advance booking
Gabriele Fabiankowitsch, Head of Educational Program and Guided Tours
T +43 1 711 36-298
(Mon–Fri 10 a.m.–4 p.m.),

 

Multimedia Guide

for Vienna 1900: € 2

Or download the app for free to your own tablet (iOS and Android)!
 

Barrier Free Access

Lift at the entrance at Weiskirchnerstraße 3, accessible toilets for disabled visitors.


Related

Event

:

COOP HIMMELB(L)AU

Beyond the Blue
Wed, 12.12.2007–Mon, 12.05.2008

MAK Exhibition Hall

more »

Event

:

ZAHA HADID

Architecture
Wed, 14.05.2003–Sun, 17.08.2003

MAK Exhibition Hall

more »

Freier Artikel

:
 

Random

:

VIENNA 1900 inspires

MAK on display
Marco Dessí: Dagobert Peche Revisited, 1913/2012
more »
:

SILENT & VIOLENT

Selected Artist's Editions, PARKETT
Published for the exhibition at the MAK Center for Art and Architecture L.A. (April 1997)
German
184 pages, enclosure ”Editions for Parkett” 1974 -1994, 28 pages., Colored and b/w illustrations
21 x 25,5 cm, paperback
MAK / Verlag für Editionen / PARKETT Verlag, Zürich-Frankfurt-New York, 1995
Distribution: Cantz Verlag
SHOP »
:

PROJECT VIENNA

How to React to a City
Published for the exhibition of the same title (30.6.–12.9.2010)
German/English
256 pages
MAK Vienna / freytag & berndt, Vienna 2010
SHOP »
:

GÜNTER BRUS

Mitternachtsröte
Published for the exhibition of the same title (10.9.2008- 25.1.2009)
french/English/German
323 pages, b/w and colored illustrations
16,5 x 20 cm, softcover
MAK, Wien 2008
SHOP »