A design intention = states of affairs. The wealth of appearances. The legacy of those who were here before us = the form of actions, our inheritance = memory: museums are also, like cemeteries, our quiet bliss: because the nature of the encounter also gives rise to understanding: it seems there can be no truth concerning this, but only original, brilliant works: silence is the word extinct. Because the same thing once meant something else: because the essence of things is forever dead, and its material properties maintain this expansion into a different world: because a past exists that the living individual can reach into and at least the possibility is hinted at of coming to an end through oneself and beyond with the early ***** appearance. / Franz Graf
Biography Franz Graf
Born 1954 in Tulln, Lower Austria. Lives and works in Vienna. Franz Graf is one of the most important representatives of a neo-conceptual position. His innovative combinations of divergent media such as drawing, photography, and installation repeatedly lead to new and open structures. The spectrum of his motifs ranges from abstract to ornamental, figurative and emblematic, or to factual representations of reality made with the camera.
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