In his Forms in Time solo exhibition developed for the MAK, the artist Kay Walkowiak approaches the question of the timelessness and narrative conceivability of form on the basis of the differing culturehistorical mentalities of East and West. “The traveler leaves no trace because he keeps pace with the movement of things,” is the comment of the philosopher Byung-Chul Han on an old Chinese saying, and thereby refers to a Far Eastern tradition of the relationship with form that, in contrast with the Western form, primarily conceived of as substance, is oriented to real absence. In an eclectic compilation of new works, Walkowiak sounds out the historically and socio-culturally characterized approach to form and questions its functional positing as a projection surface for timeless utopias.
The traveler abides for a moment between being and becoming. Form loses its substance and, through its emptiness, space expands. This closes the circle around the title of the exhibition, Forms in Time: everything hangs in the balance between concrete reality and absolute utopia.
A cooperation between the MAK and the University of Applied Arts Vienna
Curator: Marlies Wirth, MAK Curator
Tue, 3 May 2016, 6 p.m.
Kay Walkowiak in conversation with Marlies Wirth, Curator, MAK, in the context of the viennacontemporary 2016
Sat, 24 Sept 2016, 4 p.m.
Followed by
BOOK PRESENTATION
Kay Walkowiak. Forms in Time
MAK Columned Main Hall
In his Forms in Time solo exhibition developed for the MAK, the artist Kay Walkowiak addresses the question of the timelessness and narrative conceivability of form on the basis of the differing culture-historical mentalities of the “East” and the “West.” “The traveler therefore leaves no trace behind, because he keeps pace with the movement 0f things,” the philosopher Byung-Chul Han comments on an old Chinese saying, and in so doing makes reference to a Far Eastern tradition regarding the relationship with form, which, in contrast with the Western form, primarily conceived of as substance, is oriented to the real, absent person. In a complex compilation of new works, Walkowiak explores the historically and socioculturally defined handling of form and questions its functional positing as a projection surface for timeless utopias.
_____________________________
Publication
Edited by Kay Walkowiak, with contributions by Arno Böhler, Sabine Folie, Marlies Wirth and Daniela Zyman, Verlag für moderne Kunst 2016; 232 pages, 141 color illustrations, 17 BW illustrations, € 32
The exhibition series APPLIED ARTS. NOW aims at creating a platform for contemporary forms of applied arts, and thus providing greater visibility for especially interesting positions of graduates of the University of Applied Arts Vienna living and working in Austria.
dieangewandte.at
Previous exhibitions:
Alfredo Barsuglia. Cabinet
4 Mar – 10 May 2015
Valentin Ruhry. Grand Central
8 Oct 2014 – 8 Feb 2015
soma Architecture
13 May – 14 Sept 2014
LISA TRUTTMANN. My Stage is Your Domain
19 Jun – 6 Oct 2013
Marco Dessí. STILL LIFE
30 Jan – 5 May 2013
taliaYsebastian. The Committee of Sleep
3 Oct 2012 – 6 Jan 2013
STIEFEL & COMPANY ARCHITECTS
23 May – 16 Sep 2012
PATRICK RAMPELOTTO. Adventures in Foam
25 Jan – 6 May 2012
The traveler abides for a moment between being and becoming. Form loses its substance and, through its emptiness, space expands. This closes the circle around the title of the exhibition, Forms in Time: everything hangs in the balance between concrete reality and absolute utopia.
A cooperation between the MAK and the University of Applied Arts Vienna
Curator: Marlies Wirth, MAK Curator
Artist Talk
with Marlies Wirth, exhibition curatorTue, 3 May 2016, 6 p.m.
Artist's Talk and Book Presentation
ARTIST'S TALKKay Walkowiak in conversation with Marlies Wirth, Curator, MAK, in the context of the viennacontemporary 2016
Sat, 24 Sept 2016, 4 p.m.
Followed by
BOOK PRESENTATION
Kay Walkowiak. Forms in Time
MAK Columned Main Hall
In his Forms in Time solo exhibition developed for the MAK, the artist Kay Walkowiak addresses the question of the timelessness and narrative conceivability of form on the basis of the differing culture-historical mentalities of the “East” and the “West.” “The traveler therefore leaves no trace behind, because he keeps pace with the movement 0f things,” the philosopher Byung-Chul Han comments on an old Chinese saying, and in so doing makes reference to a Far Eastern tradition regarding the relationship with form, which, in contrast with the Western form, primarily conceived of as substance, is oriented to the real, absent person. In a complex compilation of new works, Walkowiak explores the historically and socioculturally defined handling of form and questions its functional positing as a projection surface for timeless utopias.
_____________________________
Publication
Edited by Kay Walkowiak, with contributions by Arno Böhler, Sabine Folie, Marlies Wirth and Daniela Zyman, Verlag für moderne Kunst 2016; 232 pages, 141 color illustrations, 17 BW illustrations, € 32
The exhibition series APPLIED ARTS. NOW aims at creating a platform for contemporary forms of applied arts, and thus providing greater visibility for especially interesting positions of graduates of the University of Applied Arts Vienna living and working in Austria.
dieangewandte.at
Previous exhibitions:
Alfredo Barsuglia. Cabinet
4 Mar – 10 May 2015
Valentin Ruhry. Grand Central
8 Oct 2014 – 8 Feb 2015
soma Architecture
13 May – 14 Sept 2014
LISA TRUTTMANN. My Stage is Your Domain
19 Jun – 6 Oct 2013
Marco Dessí. STILL LIFE
30 Jan – 5 May 2013
taliaYsebastian. The Committee of Sleep
3 Oct 2012 – 6 Jan 2013
STIEFEL & COMPANY ARCHITECTS
23 May – 16 Sep 2012
PATRICK RAMPELOTTO. Adventures in Foam
25 Jan – 6 May 2012
Admission
€ 12 / reduced € 10
Free Admission for children and teens under 19
Tuesdays 6–10 p.m. admission € 5
More >>
€ 12 / reduced € 10
Free Admission for children and teens under 19
Tuesdays 6–10 p.m. admission € 5
More >>
