Her project Rome, 1er et 2 novembre 1975, presented at the MAK Direktion, extends the queer narrative between body and space to include the political dimension. The four-part multime- dia video installation refers to the events of the night of 1st and 2nd November 1975, when the poet and experimental filmmaker Pier Paolo Pasolini was murdered near Rome. Reynaud-Dewar restages excerpts from a film and an interview with actors from the art scene—artists, theoreticians, curators, collectors, and students such as Verena Dengler, Diedrich Diederichsen, and Marina Faust.