:
MAK Design Salon #02

Studio Formafantasma

The Stranger Within
Sat, 14.09.2013–Sun, 01.12.2013
Once again, the Geymüllerschlössel provides the backdrop for a contemporary design intervention and simultaneously opens itself to juxtapositions reaching across the eras. Starting from the location‘s history and its present use as a museum site, the MAK DESIGN SALON invites internationally renowned designers to deal with this one-ofa-kind cultural legacy in order to set up aesthetic and thematic links to the present and open up new perspectives.
 
While the initial intervention last year, Time & Again by London-based designer Michael Anastassiades, was inspired by the villa’s old Viennese clocks from the Franz Sobek Collection, the work The Stranger Within by this year’s salon guest Studio Formafantasma, deals with the fascination evoked by the “exotic.”
 
The Geymüllerschlössel’s architectural style, façade ornaments, and interior tell of that era’s bourgeois and somewhat faddish predilection for oriental cultures. The panoramic tapestry showing temples in the so-called Blue Salon provided a starting point from which the design duo set out to analyze this paradox phenomenon in which a yearning for distant places coexisted with Biedermeier “homeliness.”
 
The two Italians Andrea Trimarchi and Simone Farresin, graduates of Design Academy Eindhoven, The Netherlands, have quickly become the international design world’s shooting stars thanks to fascination evoked by their multilayered and sensitive way of working. Their object series Moulding Tradition (2009), which deals with early Arabian-African influences on the Sicilian majolica that subsequently conquered all of Europe, took on a whole new urgency and significance when the Sicilian island of Lampedusa became synonymous with a looming invasion of African refugees.
 
Studio Formafantasma’s various series of handcrafted artifacts such as Botanica (2011) and Craftica (2012) are the outcomes of research to track down ancient techniques and forgotten resources. Like archaeologists, they derive their information from the sediments of cultural residues—but as designers they use it as inspiration for the future.
 
In a globalized world where the exotic is losing its significance, Studio Formafantasma’s Geymüllerschlössel intervention invites visitors to search for the foreign within themselves.
 
Curator Thomas Geisler, MAK Curator Design
 
Kindly supported by






Opening

Tue, 10.9.2013, 7 p.m.
The designers Andrea Trimarchi and Simone Farresin, Studio Formafantasma will be present

Public Programs for the Exhibition

The Intervention The Stranger Within by Studio Formafantasma will provide the occasion and the content for a number of events linking the supposedly historical to the contemporary, while also musing about the foreign and breathing new life into the “salon” format.

Design Tours

Guided tours with Thomas Geisler, Curator, MAK Design Collection, Sundays, 3 p.m. Dates: 22 September, 20 October, 10 November, 1 December 2013
 
 

MAK Design Salon

The Stranger Within
Sunday, 29 September 2013, 11 a.m.
 
A matinee as part of VIENNA DESIGN WEEK (27 September–6 October 2013)
Designers Andrea Trimarchi and Simone Farresin of Studio Formafantasma, London gallerist Libby Sellers, and design critic Alice Rawsthorn (inter alia for the International Herald Tribune) will talk with Thomas Geisler, Curator, MAK Design Collection.
 
For all events, the number of participants is limited.
Information and registration at T +43 1 711 36-231, .
 
Opening hours during the VIENNA DESIGN WEEK (27 September–6 October 2013)
Fri 27 September and Fri 4 October, 2–6 p.m.; Sat, Sun, 11 a.m.–6 p.m.


MAK Branch Geymüllerschlössel

Pötzleinsdorferstraße 102, 1180 Vienna
T +43 1 711 36-231 or 248

parking lot
non-handicapped accessible area

Opening Hours

4 May till 1 December 2013
Every Saturday and Sunday
11 a.m. –6 p.m.

Park
Every first Sunday in the month from June to August open till 9 p.m.

Opening hours during the
VIENNA DESIGN WEEK
(27 September–6 October 2013)
Fri 27 September and Fri 4 October,
2–6 p.m.; Sat, Sun, 11 a.m.–6 p.m.

Admission

(incl. participation in a guided tour)
€ 7,90 / reduced € 5,50
Free admission for children and teens up to 19

The admission ticket is also valid for a visit to the MAK on the same day.

Guided tours

every Saturday and Sunday 3 p.m. (held in German), from4 May to 1 December
Walkarounds and various expertguided theme tours afford an insight into a variety of different aspects of Biedermeier life.

Special tours on a variety of subjects bookable for individuals and groups, also outside opening hours.

Information and inquiries T +43 1 711 36-298,

How to get there

Tram line 41 Schottentor to Pötzleinsdorf, then bus line 41A to Khevenhüllerstraße (one stop)

Related

Expositur

:

MAK Branch Geymüllerschlössel

Past and Present in Dialog
At the Geymüllerschlössel, a jewel of Biedermeier architecture in Vienna’s Pötzleinsdorf neighborhood, the MAK shows furniture from the Empire and Biedermeier periods, old Viennese clocks from the collection of Franz Sobek, and interventions by contemporary artists and designers.
more »

Event

:
MAK Design Salon #01

MICHAEL ANASTASSIADES:

Time & Again
Sat, 12.05.2012–Sun, 25.11.2012

Geymüllerschlössel

more »
 

Random

:

MAK Season Ticket Silver € 35

more »
:

Permanent Collection Orient

Artistic internvention: GANGART
The MAK Orient Collection on permanent display includes a display of precious knotted carpets. The most valuable pieces originally came from the Austrian Imperial House, while the remaining holdings came from the Oriental Museum or were purchased for the Museum für Kunst und Industrie (Museum of Art and Industry).
more »
:

Franz West – Four Lemurheads

more »
:

Permanent Collection Romanesque Gothic Renaissance

Artistic intervention: Günther Förg
The MAK Romanesque Gothic Renaissance Collection on permanent display reflects the often long-term survival of stylistic characteristics in the decorative arts. A special highlight here is the most ancient set of medieval liturgical vestments to have been preserved in its entirety.
more »