Once again, the Geymüllerschlössel provides the backdrop for a contemporary design intervention and simultaneously opens itself to juxtapositions reaching across the eras. Starting from the locations history and its present use as a museum site, the MAK DESIGN SALON invites internationally renowned designers to deal with this one-of-a-kind cultural legacy in order to set up aesthetic and thematic links to the present and open up new perspectives. While the initial intervention last year, Time & Again by London-based designer Michael Anastassiades, was inspired by the villas old Viennese clocks from the Franz Sobek Collection, the work The Stranger Within by this years salon guest Studio Formafantasma, deals with the fascination evoked by the exotic. The Geymüllerschlössels architectural style, façade ornaments, and interior tell of that eras bourgeois and somewhat faddish predilection for oriental cultures. The panoramic tapestry showing temples in the so-called Blue Salon provided a starting point from which the design duo set out to analyze this paradox phenomenon in which a yearning for distant places coexisted with Biedermeier homeliness. The two Italians Andrea Trimarchi and Simone Farresin, graduates of Design Academy Eindhoven, The Netherlands, have quickly become the international design worlds shooting stars thanks to fascination evoked by their multilayered and sensitive way of working. Their object series Moulding Tradition (2009), which deals with early Arabian-African influences on the Sicilian majolica that subsequently conquered all of Europe, took on a whole new urgency and significance when the Sicilian island of Lampedusa became synonymous with a looming invasion of African refugees. Studio Formafantasmas various series of handcrafted artifacts such as Botanica (2011) and Craftica (2012) are the outcomes of research to track down ancient techniques and forgotten resources. Like archaeologists, they derive their information from the sediments of cultural residuesbut as designers they use it as inspiration for the future. In a globalized world where the exotic is losing its significance, Studio Formafantasmas Geymüllerschlössel intervention invites visitors to search for the foreign within themselves. Curator Thomas Geisler, MAK Curator Design Kindly supported by
MAK Branch Geymüllerschlössel
Past and Present in Dialog
At the Geymüllerschlössel, a jewel of Biedermeier architecture in Viennas Pötzleinsdorf neighborhood, the MAK shows furniture from the Empire and Biedermeier periods, old Viennese clocks from the collection of Franz Sobek, and interventions by contemporary artists and designers.
Published for the exhibition of the same title (6.10.20109.1.2011) MAK Studies 19 German/English 144 pages, numerous illustrations 21 x 26 cm, paperback MAK Vienna/Verlag für moderne Kunst Nürnberg, 2010
Curator: Rainald Franz, curator, Glass and Ceramics Collection
The main focus of the Study Collection Ceramics comprises objects of Viennese porcelain manufacturing (17181864). Furthermore, artists ceramics of the Viennese Art Nouveau as well as ceramic works from Vienna and the former Crown Lands invite visitors to explore the diversity of the MAK Ceramics Collection.