© MAK/Georg Mayer
© MAK/Georg Mayer
© MAK/Georg Mayer
© MAK/Georg Mayer
© eSeL.at - Joanna Pianka
© eSeL.at - Joanna Pianka
© eSeL.at - Joanna Pianka
© eSeL.at - Joanna Pianka
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With this extraordinarily colorful exhibition accompanying the competition 100 BEST POSTERS 20: Germany Austria Switzerland, the MAK presents for the 16th time the hundred most exciting creations in poster design.
The winning posters impress through their varied use of photography, complemented by typography as a prevalent design element. 2020 brought with it enormous Covid-19-related restrictions to cultural life, causing posters to attain a special significance as visual memos located in public spaces: “They appear as strange notes from a future that never took place – a surreal glimpse into a utopian parallel universe,” as Dorothee Dähler and Yeliz Secerli sum it up in their feature article in the catalog. Individual graphic designers used poster art explicitly to comment on the prevailing inertia.
For Austrian entries, this year has been one of the most successful to date: seven Austrian posters won the jury’s vote. 600 graphic artists, agencies, and students, submitting a total of 1.973 posters (868 individual posters and 321 series), participated in the competition. 43 of the winning posters and poster series come from Germany and 50 from Switzerland. As is the case every year, after the exhibition the winning posters will be purchased by the MAK.
CURATOR
Peter Klinger, Deputy Head, MAK Library and Works on Paper Collection
Peter Klinger, Deputy Head, MAK Library and Works on Paper Collection
A cooperation between the MAK and the association 100 Beste Plakate e. V.
17.11.2021—6.3.2022
MAK Works on Paper Room
Delve deeper into the visual worlds of 23 of the posters! Animated “Moving Posters” featuring winning motifs can be accessed via smartphone or tablet. Recognizable by the App icon next to the respective poster.
100 Beste Plakate 20. Deutschland Österreich Schweiz/100 Best Posters 20. Germany Austria Switzerland, 376 pages, Verlag Kettler, Dortmund 2020. Available in the MAK Design Shop and online for € 30.80. Bueronardin—Studio for Visual Communication (Vienna) is responsible for the catalog’s corporate design, the web visuals, and the print forms.
© Bueronardin
© Bueronardin/Niko Havrane
© studio VIE/100 Beste Plakate e. V.
© Fons Hickmann M23/100 Beste Plakate e. V.
© Bueronardin/100 Beste Plakate e. V.
© Beton – Gruppe für Gestaltung/100 Beste Plakate e. V.
© Heimat Wien/100 Beste Plakate e. V.
© Erich Brechbühl/100 Beste Plakate e. V.
© hesign International/100 Beste Plakate e. V.
© Nordland/100 Beste Plakate e. V.
© babyinktwice/100 Beste Plakate e. V.
© Studio Terhedebrügge/100 Beste Plakate e. V.
© WePlayDesign/100 Beste Plakate e. V.
© Fons Hickmann M23/100 Beste Plakate e. V.
© Chris Gautschi/100 Beste Plakate e. V.
© Leander Eisenmann/100 Beste Plakate e. V.
© MAK/Georg Mayer
© MAK/Georg Mayer
© MAK/Georg Mayer
© MAK/Georg Mayer
© MAK/Georg Mayer
© eSeL.at - Joanna Pianka
© eSeL.at - Joanna Pianka
© eSeL.at - Joanna Pianka
© eSeL.at - Joanna Pianka
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Media
Visual for the competition 100 Best Posters 20, Photo: Niko Havranek, Design: Bueronardin © Bueronardin/Niko Havrane
Graphic design: Christian Schlager, Anouk Rehorek, Vanessa Eck with Katarina Šoškic (photo), Herwig Scherabon (3D rendering), Studio: studio VIE, Tanzquartier Wien – Camilla Schielin Campaign (series of 3 posters) © studio VIE/100 Beste Plakate e. V.
Graphic design: Fons Hickmann, Olivier Bucher using a photograph by Christian Skrein, Studio: Fons Hickmann M23, Wiener Staatsoper. Elektra [Vienna State Opera: Elektra] (series of 3 posters) © Fons Hickmann M23/100 Beste Plakate e. V.
Graphic design: Christof Nardin, Pascal Magino, Studio: Bueronardin, VIENNA DESIGN WEEK 2020 (series of 3 posters) © Bueronardin/100 Beste Plakate e. V.
Grafik: Benjamin Buchegger, Daniel Car, Oliver Hofmann, Atelier: Beton – Gruppe für Gestaltung, Zwischenräume Festival © Beton – Gruppe für Gestaltung/100 Beste Plakate e. V.
Graphic design: Lisa Bouschet (idea, graphic design) with Nora Vilim (text), Simon Pointner (creative direction), Studio: Heimat Wien – Agentur für Veränderung, Lieblinge der Saison [Seasonal Favorites] © Heimat Wien/100 Beste Plakate e. V.
Graphic design: Erich Brechbühl, Studio: Erich Brechbühl [Mixer], SOS Neubad © Erich Brechbühl/100 Beste Plakate e. V.
Graphic design: Jianping He, Studio: hesign International, Li Bin Yuan Solo Exhibition © hesign International/100 Beste Plakate e. V.
Graphic design: Peter Gärtl, Studio: Nordland, Adelboden Ghost Edition © Nordland/100 Beste Plakate e. V.
Graphic design: Dafi Kühne, Studio: babyinktwice, Turboblock Nr. 8 © babyinktwice/100 Beste Plakate e. V.
Graphic design: Antonia Terhedebrügge, Silvia Terhedebrügge, Studio: Studio Terhedebrügge, Strandtomate. Europäischer Kultursommer Fellbach [Beach Tomato: European Cultural Summer Fellbach] (series of 3 posters) © Studio Terhedebrügge/100 Beste Plakate e. V.
Graphic design: Sophie Rubin, Cédric Rossel, Studio: WePlayDesign, Festival Filmar 2020 (series of 3 posters) © WePlayDesign/100 Beste Plakate e. V.
Graphic design: Fons Hickmann, Olivier Bucher using a photograph by David Kovalenko, Studio: Fons Hickmann M23, Wiener Staatsoper. Don Carlos [Vienna State Opera: Don Carlos] (series of 3 posters) © Fons Hickmann M23/100 Beste Plakate e. V.
Graphic design: Chris Gautschi, Studio: Chris Gautschi Graphic & Editorial design Im / Mobile © Chris Gautschi/100 Beste Plakate e. V.
Graphic design: Leander Eisenmann, Stop Asad (series of 5 posters, commissioned by the designer), Printing: printed by the designer in the printing workshop of the FHNW Academy of Art and Design © Leander Eisenmann/100 Beste Plakate e. V.