Lilian Naomi Mattuschka, body ornaments from the series Volatili/Birds (photo series Communication), 2016

Eligius Award 2022

Jewelry Art in Austria

An exhibition of the MAK in cooperation with Kunst im Traklhaus, Salzburg

With the exhibition ELIGIUS AWARD 2022: Jewelry Art in Austria the MAK, in cooperation with Kunst im Traklhaus, Salzburg, once again offers an insight into the contemporary Austrian jewelry scene. For the fifth time, the MAK is showing the entries for the "Eligius Award for Body Jewelry and Jewelry Objects”, which was established by the federal state of Salzburg in 2005 and is awarded every three years. This year ten items have been selected, with the prize ultimately being awarded to Lilian Naomi Mattuschka, who impressed the jury with her wooden body sculptures.

CURATOR
Anne-Katrin Rossberg, Curator, MAK Metal Collection and Wiener Werkstätte Archive

31.8.2022—25.9.2022

MAK Forum

Ulrike Johannsen, installation Love in the Age of its Technical Simulability_ICE (Sexy Bitch), 2018

ELIGIUS AWARD 2022: Jewelry Art in Austria

Lilian Naomi Mattuschka, Körperschmuck aus den Serien Volatili/Birds und In Meditation/What is Left, 2016/2019 Verschiedene Hölzer, Ausstellungsansicht Traklhaus Salzburg

Andrea Auer, objects from the series Fever and Nie Ohne Seife Waschen [Never Eat Soapy Waffles], 2019/2022

AND_i – Andreas Eberharter, Triangle Mask, 2020, Aluminium, gegossen

Brooch from Shells, mother-of-pearl, remanium, polymer clay

Andrea MAXA Halmschlager, Halsschmuck aus der Serie Anthozoa, 2021, Mookait, Seide

Installation made of Natural sponge, brass, chains

Gerti Machacek, Brosche Malachitlapis, 2021, Silikon, Lapislazuli und Malachit gerieben, Magnete

Izabella Petrut, Brosche paperbrooch, 2012, Papier, Epoxidharz, Pigment, Silber MAK, BJ 1844

Media

<BODY>Lilian Naomi Mattuschka, body ornaments from the series <em>Volatili/Birds</em> (photo series <em>Communication</em>), 2016<br />© Lilian Naomi Mattuschka<br /></BODY>

Lilian Naomi Mattuschka, body ornaments from the series Volatili/Birds (photo series Communication), 2016 © Lilian Naomi Mattuschka

Ulrike Johannsen, installation Love in the Age of its Technical Simulability_ICE (Sexy Bitch), 2018 © MAK/Georg Mayer

ELIGIUS AWARD 2022: Jewelry Art in Austria © MAK/Georg Mayer

<BODY><div>Lilian Naomi Mattuschka, Körperschmuck aus den Serien Volatili/Birds und In Meditation/What is Left, 2016/2019</div><div>Verschiedene Hölzer</div><div>Ausstellungsansicht Traklhaus Salzburg, Foto © Rudolf Strobl</div></BODY>

Lilian Naomi Mattuschka, Körperschmuck aus den Serien Volatili/Birds und In Meditation/What is Left, 2016/2019 Verschiedene Hölzer, Ausstellungsansicht Traklhaus Salzburg © Rudolf Strobl

<BODY><div>Andrea Auer, Objekte aus den Serien Fever und Nie ohne Seife waschen, 2019/2022</div><div>Essigsocken, Krenwurzel, Seifenstücke</div><div>Foto © Daniela Beranek</div></BODY>

Andrea Auer, objects from the series Fever and Nie Ohne Seife Waschen [Never Eat Soapy Waffles], 2019/2022 © Daniela Beranek

<BODY><div>AND_i – Andreas Eberharter, Triangle Mask, 2020</div><div>Aluminium, gegossen</div><div>© Andreas Eberharter</div></BODY>

AND_i – Andreas Eberharter, Triangle Mask, 2020, Aluminium, gegossen © Andreas Eberharter

<BODY><div>Benedikt Fischer, Brosche aus der Serie Pearly Whites, 2017-2022</div><div>Muscheln, Perlmutt, Remanium, Silikon</div><div>© Benedikt Fischer</div></BODY>

<BODY><div>Andrea MAXA Halmschlager, Halsschmuck aus der Serie Anthozoa, 2021</div><div>Mookait, Seide</div><div>© Andrea MAXA Halmschlager</div><div> </div></BODY>

<BODY><div>Ulrike Johannsen, Objekt aus der Serie Die Liebe in Zeiten ihrer technischen Simulierbarkeit, 2018</div><div>Naturschwamm, Messing, Ketten</div><div>© Ulrike Johannsen</div><div> </div></BODY>

<BODY><div>Michelle Kraemer, Ring aus der Serie Nebula, 2017</div><div>Holz, Pigment, Silber</div><div>MAK, BJ 1850 © MAK/Kristina Wissik</div><div> </div></BODY>

<BODY><div>Gerti Machacek, Brosche Malachitlapis, 2021</div><div>Silikon, Lapislazuli und Malachit gerieben, Magnete</div><div>© Gerti Machacek</div></BODY>

<BODY><div>Izabella Petrut, Brosche paperbrooch, 2012</div><div>Papier, Epoxidharz, Pigment, Silber</div><div>MAK, BJ 1844 © MAK/Kristina Wissik</div></BODY>

Izabella Petrut, Brosche paperbrooch, 2012, Papier, Epoxidharz, Pigment, Silber MAK, BJ 1844 © MAK/Kristina Wissik

<BODY><div>Konstanze Prechtl, Halsschmuck aus der Serie Clothed Contact, 2022</div><div>Alte Textilien, Holz, Baumwolle</div><div>© Konstanze Prechtl</div><div> </div></BODY>

Konstanze Prechtl, Halsschmuck aus der Serie Clothed Contact, 2022, Alte Textilien, Holz, Baumwolle © Konstanze Prechtl